Shakespeare Studies
Back Numbers of Shakespeare Studies
VOLUME SIXTEEN 1977-1978
| Vindice Vindicatus: |
| The Hidden Trickster in The Revenger's Tragedy |
| Characterization by Soliloquy: |
| the Case of Edmund and Edgar |
| Macbeth: A Thief or Dwarf? |
VOLUME FIFTEEN 1976-1977
| The Fall of Barabas |
| 'Readiness' and 'Ripeness': |
| A Reflection on Shakespearean Characterization |
| "The Three Sallies" Reconsidered: |
| A Case Study in Shakespeare's Use of Proper Names |
VOLUME FOURTEEN 1975-1976
| The Velasquez-like in Twelfth Night |
| The Tempest: a Shakespearean Approach to a Cultural Clash |
| Shakespeare Prolegomena: 1709-1821 |
VOLUME THIRTEEN 1974-1975
| Troilus and Cressida: a Tragic Satire |
| "Nature" in Hooker and King Lear |
| Edmond Malone and His Chronology of Shakespeare's Plays |
VOLUME TWELVE 1973-1974
| An Essay on the King John Plays from History to Romance |
| The Structure and Theme of King Lear |
| The Sonnets: From the Poems to the Poet |
VOLUME ELEVEN 1972-1973
| Form and Rhetoric in Shakespearean Comedy |
| Gonzalo's "Merry Fooling" |
| Shakespeare and George Herbert |
| The Mixture of the Comic and Serious in Hamlet and Kanadehon Chu-shingura |
VOLUME TEN 197l-1972
| On the Palinodial Ending of Cynthia's Revels |
| The Printing of Philip Massinger's Plays |
| Dryden and Shakespeare |
VOLUME NINE: 1970-197l
| The Comic Sense in Marlowe Reconsidered |
| Cleopatra and Volumnia |
| Theology in Shakespeare |
VOLUME EIGHT 1969-1970
| Armado's "You that way; we this way" |
| Dreams as Metaphysical Visions: |
| a Study of Shakespeare's Major Tragedies |
| The Religious Dimension of King Lear |
VOLUME SEVEN 1968-1969
| The Concept of the Royal in Shakespeare |
| Kurosawa's Kumonosujo: A Japanese Macbeth |
| De Casibus Theme and Machiavellism: |
| In Connection with the Theme of Edwarld II |
Bibliographical Studies of
George Chapman's The Memorable Mask of the Middle Temple and Lincoln's Inn (1613),
Printed by George Eld
|
VOLUME SIX 1967-1968
| Antony and Cleopatra: The Last Phase of Shakespearean Tragedy
|
| In Defence of Shakespeare's Romeo and Juliet |
| Character Desintegration in the Early Shakespeare |
|
| Frederick M. Burelbach, Jr. | 62 |
| Shakespeare and Wilson Knight |
| Shakespeare in Xanadu |
| The Tragical Composition of Dr. Faustus |
| 'Mighty Showes': Masque Elements in Jacobean and Caroline Drama |
|
| Sister Francesca Dunfey, S. N. D. | 122 |
| Bibliographical Studies of George Chapman's The Blind Beggar of Alexandria |
VOLUME FIVE 1966-1967
| Time and Truth in King Lear |
| King Lear and Its Tragic Pattern |
| The Homiletic Tradition in Shakespeare's Plays |
| The Three Themes in One Harmonious Chord |
Bibiliographical Studies of
George Chapman's An Humorous Day's Mirth (1599)
Printed by Valentine Simmes |
Book Review
| A Note on Clifford Leech, "Twelfth Night" and Shakespearian Comedy |
VOLUME FOUR 1965-1966
| A Stylistic Comparison of Gismond of Salome and Tancred and Gismund |
| Shakespeare and Christian Doctrine |
Bibliographical Studies of
George Chapman's The Widow's Tears (1612)
Printed by Richard Bradock |
Book Review
| Northrop Frye. A Natural Perspective: |
| The Development of Shakespearean Comedy and Romence |
| E. A. J. Honigmann, The Stability of Shakespeare's Text |
VOLUME THREE 1964
| Delight and Laughter: |
| Some Aspects of Shakespeare's Early Verbal Comedy |
| Shakespeare's Opening Scenes |
| The Temporal Awareness in Richard III |
Bibliographical Studies of George Chapman's All Fools (1605)
Printed by George Eld |
| All's Well That Ends Well: A Reappraisal |
VOLUME TWO 1963
| Theatre Way, the Elizabethan and the Japanese |
| The World of Lear's Fool: The Dramatic Mode of His Speech |
| A Note on "The Inverted Platonism" of Shakespeare's Sonnets |
| Shakespeare's Mediaeval Inheritance |
| Shakespeare, Chikamatsu and "This Tough World" |
Bibliographical Studies of George Chapman's The Gentleman Usher (1606)
Printed by Valentine Simmes |
VOLUME ONE 1962
| Notes on Act V of Antony and Cleopatra |
| The Base Judean |
| Chabot Admiral of France |
| Shakespeare's Blank Verse |
| The Cloud Theme in Hamlet |
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