Shakespeare Studies
Back Numbers of Shakespeare Studies
VOLUME THIRY-TWO 1994
| Shakespeare's Peculiarity |
| Shakespeare and the Art of Revenge |
VOLUME THIRTY-ONE 1993
| Silence, Speech, and Spectacle in Hamlet |
| "Ancestral Englishness" in King Lear |
VOLUME THIRTY 1992
| The Absent Reader: |
| Tension in Fulke Greville's Prose and Tragedy
|
| John Lowin as Iago |
| Double Heresy and Bourgeois Humours in Windsor |
| Shakespeare's "Fatal Cleopatra" |
VOLUME TWENTY-NINE 1991
| The New Actaeon's Fortune, A and B: |
| Giordano Bruno in the Two Texts of Doctor Faustus
|
| What's in a Name?: |
| Hermione and the Hermetic Tradition in The Winter's Tale |
| Shakespeare's Surrogate Dramatists |
VOLUME TWENTY-EIGHT 1990 (1989-1990)
| Gayatri Chakravorty Spivak and The Merchant of Venice
|
| Miranda's Part |
| Prince Henry and the Revival of the Chivalric Tradition in Early Stuart England: |
| A Study of Prince Henry's Barriers (1610) |
VOLUME TWENTY-SEVEN 1989 (1988-1989)
| Shakespeare's Romances and the Court |
| Falstaff's False Stuff: |
| An Essay on the Dramatic Language of Sir John Falstaff |
| Hecate's Watery Moon as a Guide to Othello's Imagination |
| A "Purge on Prettiness": |
Motley's Costumes for A Midsummer Night's Dream,
Shakespeare Memorial Theatre, Stratford-upon-Avon, l954 |
|
| Michael Mullin and David McGuire | 65 |
| Shakespeare Studies, Table of Contents, Volumes I to XXVI |
VOLUME TWENTY-SIX l988 (1987-1988)
| The Brows of Grace |
| Let Women's Voices Be Heard: |
| A Feminist Re-Vision of Ophelia |
| 'The Suburbs of Your Good Pleasure': |
| Theatre and Liberties in Julius Caesar |
|
| Edward Tetsuya Motohashi | 41 |
VOLUME TWENTY-FIVE 1987 (1986-1987)
| Song as Device: |
| Ben Jonson's Use of Seduction Songs in Volpone and The Devil Is an Ass |
| Juliet, the Nursling of the Nurse |
| The Four Basic Dramatic Functions of Characters in Shakespeare's Comedies
|
VOLUME TWENTY-FOUR 1986 (1985-1986)
| Macbeth's Endeavour: |
| Self-Destruction or Self-Realization? |
| Classics that Revolt: |
| Modernizing Factors in Sejanus, Epicoene and Catiline |
| Othello's Occupation: |
| The Evils of Nobility |
VOLUME TWENTY-THREE 1984-1985
| Call and Silence: |
| Style of Distance in Julius Caesar |
| The Structure of Much Ado About Nothing |
| The Metamorphoses of the Moon: |
| Folk Belief in Lunar Influence on Life and the Symbolic Scheme of A Midsummer Night's Dream |
VOLUME TWENTY-TWO 1983-1984
| The Function of the Chorus in Henry V |
| Hamlet's Strange Jocularity |
| A Note on Shakespeare's Stage Direction |
VOLUME TWENTY-ONE 1982-1983
| A Study of The Devil's Law-Case: |
| with Special Reference to the Controversy over Women |
| Shakespeare's Humour Plays |
| Beneath Pomp and Circumstance in Henry VIII |
VOLUME TWENTY 1981-1982
| The Merchant of Venice and the Functions of Lorenzo
|
| How to Do Things with "Fall-Out" Systems in Troilus and Cressida |
| King Lear as a Tragedy of Love: |
| with Special Regard to Passive Love |
| Observations upon Some Textual and Annotatory Problems in Antony and Cleopatra |
VOLUME NINETEEN 1980-1981
| The Structural Innovations of the More Circle Dramatists
|
| 'If Words Will Not Serve': |
| Marlowe's Provocative History Play |
| The Necessity of Evil: |
| Shakespeare's Rhetorical Strategy in Richard III
|
|
| Andrew & Gina Macdonald | 55 |
VOLUME EIGHTEEN 1979-1980
| The Praise of Folly and Shakespeare's Early and Middle Comedies |
| A Fantastical Perspective of A (b/d) |
| -The Suppressed 'Incest' Theme in Twelfth Night |
| 'Would Her Name Were Grace': |
| A Reconsideration of The Winter's Tale |
VOLUME SEVENTEEN 1978-1979
| The Lamentable Tale of 'Richard II' |
| "Spotlights" in Shakespeare's Plays |
| Protagonists Who Live Their Own Self-Definition: |
| A Study of John Ford's Tragedies |
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